Act 5 scene 1 is the fight scene within Othello’s men where
Cassio and Roderigo get wounded.
The scene is similar to the
opening scene in that the setting is a ‘street’ in the night time. Language
spoken by the pawns in Iago’s plan creates confusion within the characters as
Cassio is unaware that Roderigo and Iago plan to kill him. Fear is built when Iago
instructs Roderigo to ‘wear thy good rapier bare’ (2) and as the instruction
implies striking Cassio, the audience fears for Cassio’s safety.
Cassio states ‘that thrust had
been mine enemy indeed’ (24) which indicates that the attacker has no identity
as far as Cassio is aware. After Othello’s entrance, Rodrigo admits to his
crime ‘O, villain that I am’ (28) however Othello thinks that the person
confessing to being villainous is Cassio which could spark a sense of confusion
within the audience if the actors have similar sounding voices and/or are
unfamiliar with the play.
Lodovico and Gratiano’s presence
in the scene bring about fear because these men trust Iago ‘a very valiant
fellow’ (52) and through dramatic irony, the audience know that Iago is not to
be trusted. Also, as Iago has instructed to kill Cassio, he is a fearful character
because he is putting his so called friend’s life on the line. Iago has gone
from doing small and petty actions to get his way such as intentionally
allowing Othello and Roderigo to misconstrued what he says, however now is
willing to have someone die for what he wants; the audience should be fearful
as to what other lengths he will go to for his plan to follow through.
Iago’s lines tend to be a centre
of confusion in this scene especially when he strings Bianca into his plan.
With Bianca being a woman, Iago’s word will be taken over hers due to her
status being much lower than Iago’s and the 17th century being a
suppressive time for women. Iago states ‘I do suspect this trash to be a party
in this injury’ (84) and ends up arresting her for ‘provoking’ the fight
between Roderigo and Cassio ‘I charge you’ (119). Bianca, showing her confusion
of being blamed and fear of her punishment, defends herself ‘I am no strumpet
but of a life as honest as you’ (121) however even the truth coming from her
doesn’t account for the power Iago has manipulated for himself.
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