'The Yellow Wallpaper takes the heroine's madness as a perverse triumph over the imprisoning domesticity in which she is trapped by patriarchy' (Jacobus 1996) Using ideas from the critical anthology, to what extent do you agree?
Wednesday, 9 December 2015
Thursday, 3 December 2015
Gothic Elements and Features of The Yellow Wallpaper
Genre- Short story, Gothic Horror, Socio-political allegory
No romantic elements
Context- written in 1892. Very patriarchal, little feminism and liberation for females.
Setting- Large cottage in the countryside, not been used for a while- isolated setting
Always focuses on the negativity and repulsiveness of the wallpaper and the bars by the windows. Sense of entrapment.
Narrator/Plot- Unreliable narrator, not quite sane therefore plot blurs fantasy and reality, shows entrapment of women.
Men-
No romantic elements
Context- written in 1892. Very patriarchal, little feminism and liberation for females.
Setting- Large cottage in the countryside, not been used for a while- isolated setting
Always focuses on the negativity and repulsiveness of the wallpaper and the bars by the windows. Sense of entrapment.
Narrator/Plot- Unreliable narrator, not quite sane therefore plot blurs fantasy and reality, shows entrapment of women.
Men-
- High social position
- Consists of actions and not feelings
- Thought to be the hero
- Mysterious/ not 'seen'
Women-
- Mad or Bad
- Victim
- Burden on husband
Themes-
- Madness secrets and lies
- Fear
- Savagery
- Sane vs Insane
- Darkness
Thursday, 26 November 2015
The Erl-King Questions
How is the Erl-King presented?
The Erl King is presented, by Angela Carter, through
contradictory gender roles. He is portrayed as the 'perfect man' as he
conflicts the binary opposites of stereotypical gender roles by being good to a
woman. The Erl King is described as "an excellent housewife" which
implies that he is a passive character.
In his innocence he also has great power over the female protagonist suggesting
his active role in the relationship as "he winds me into the circle of his
eye on a reel of bird song" portraying his dominance as a man over her.
Here, he abides by the binary opposites of stereotypical gender roles as he is
seen as strong and active as it is him controlling her through the power of his
gaze. Carter presents the Erl King as an emotional character due to the
innocence he shows as "his touch both consoles and devastates me".
This suggests both the male and female express emotion here as he consoles her
in his touch yet she feels devastated by it. She fits the binary opposites of
stereotypical gender roles however he shows a dichotomy towards them at times
due to him expressing his emotional and passive side in their
relationship.
How is the narrator presented?
The female protagonist narrator is firstly presented as
naive, private, irrational and weak- the more stereotypical female traits of
gender binaries. The narrator finds it 'easy to lose yourself in the woods'
showing her irrationality and naivety as she is easily influenced and lost in
other things. Further on, the narrator is shown to be perhaps more thoughtful
than emotional and she recognizes that 'The Erl-King would do me grievous
harm'. She is showing that she is more wise than the Erl-King thinks, and
crosses over the gender binaries of thought and emotion as well as rational and
irrational. This again is presented when she realises that 'the birds don't
sing, they only cry because they can't find their way out of the wood' giving
the female protagonist a heads up and the chance to make her choice of either
going along with The Erl-King's wishes or taking her own revenge. Towards the
end of the story, the female protagonist makes her decision which had her 'take
two handfuls of his rustling hair(...) and (...) I shall strangle him'. This
completely obliterates gender binary opposites as the woman is taking control
and killing off the man - showing her passing over from weak to strong and
active to passive. At the very end of the story the female protagonist states
that 'she will string the old fiddle with five single strings of ash-brown hair',
using the Erl-King as an object rather than her being used as his singing bird.
What are do the symbols suggest in the novel?
Carter uses symbols in the narrative. The Erl King's eyes
are described as "quite green" which symbolizes jealousy as it can be
associated with the 'green eyed man'. However his eyes can remove the innocence
from him and display the evil in him and the fear he emits as "some eyes
can eat you". This suggests that he consumes her, sexually and
emotionally. The birds can symbolize women as a whole. They are trapped as they
are passive and kept private by the Erl King as he sees them as his possession
which fits the binary opposites of stereotypical gender roles. The cages
symbolize the oppressiveness and control men have over women. The birds
symbolize women and the cages symbolize the lifestyle they are trapped in as
men remove their freedom by resulting them to passivity and privacy.
How does Carter use allusion to tell the story?
Carter uses elements of fairy tales such as Little Red
Riding Hood (a naive little girl going into the woods), Alice In Wonderland
('Eat me, Drink me'), Light sufficient to itself (Emily Dickinson's line used)
as well as intertextuality with the motif of 'The Green Eyed man' and Othello
(The Green Eyed monster).
How is The Erl-King the most innovative and experimental of
the stories?
‘The Erl-King’ can be seen as the most innovative and
experimental of the narratives as it plays around with the voice of the
narrator and tenses of the the text. "The woods enclose and then enclose
again" is in third person, present tense yet "It is easy to lose
yourself in these woods." reverts to second person. This suggests that the
Erl King is the most experimental as none of the other texts do this.
How does The Erl-King fit with other TBC narratives?
The Erl-King is the middle story of the collection and
therefore isn't completely transcending of the binary opposites and isn't
completely supporting of them either. It involves similarities with the fact
that the setting is isolated and there is a female narrator (the same with all
the stories minus Puss In Boots). The protagonist kills the male figure (the
same with The Bloody Chamber, and company of wolves).
Tuesday, 17 November 2015
Possible questions
Women face 'the soft face of oppression' in literature as opposed to blatant physical violence
The Yellow Wallpaper may be read as a 'dynamic feminist demand for liberation from the maddening claustrophobia of patriarchy'
'The notion of phallocentrism involves fundamental ways of how the phallus can be equated by power, authority, presence and the right to possession'
'The Yellow Wallpaper takes the heroines madness as a perverse triumph over the imprisoning domesticity in which she is trapped by patriarchy' (Jacobus)
The Yellow Wallpaper may be read as a 'dynamic feminist demand for liberation from the maddening claustrophobia of patriarchy'
'The notion of phallocentrism involves fundamental ways of how the phallus can be equated by power, authority, presence and the right to possession'
'The Yellow Wallpaper takes the heroines madness as a perverse triumph over the imprisoning domesticity in which she is trapped by patriarchy' (Jacobus)
Sunday, 15 November 2015
Independent Reading- Chapter 18
Introduction to: Literature, criticism and theory (Third edition) by Andrew Bennett and Nicholas Royle
What does all-pervading mean?
occurring or having an effect through or into every part of something.
Phallogocentric/Phallocentrism definition?
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine (phallus) in the construction of meaning. It is a portmanteau of the older terms phallocentrism, putting the masculine point of view central, and logocentrism, giving a central place to spoken language in assigning meaning to the world.
What does equivocal mean?
open to more than one interpretation; ambiguous.
Desedimentation?
Similar to erosion
What does all-pervading mean?
occurring or having an effect through or into every part of something.
Phallogocentric/Phallocentrism definition?
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine (phallus) in the construction of meaning. It is a portmanteau of the older terms phallocentrism, putting the masculine point of view central, and logocentrism, giving a central place to spoken language in assigning meaning to the world.
What does equivocal mean?
open to more than one interpretation; ambiguous.
Desedimentation?
Similar to erosion
- Is Gilman implying that the only way out of patriarchy is madness?
- The unconscious knows no contradictions, she is mad and not mad at the same time. She is and is not the woman behind the wallpaper at the same time
- There is a deeper analysis to just gender roles
- Patriarchy isn't just the behavior of men but women as well
- Phallogocentrism gives importance to the person with a penis
- To escape patriarchy, be mad
- You do you because (of) influences
- Question more than is known
- No patriarchy (if) women allowed (it to) happen
- Phallogocentrism central importance with penis
One key word/ idea
- Suffering
- Alter-ego
- Advanced
- Imbalance
- Phallogocentrism
Reading Critical Essays: The Tigers Bride and The Courtship of Mr.Lyon
Task 1-
What is defloration?
A fancy word for saying someone is no longer a virgin
What is psychic transformation?
A mental transformation
What does perpetuate mean?
To continue
Task 2-
5 key sentences:
- A woman always seems to branch off of a man
- Carter strongly emphasises the woman desire and sexual liberation
- Carter brings in ideas of androgyny (which links to the equality and acceptance of people)
- Female body culture is deeper routed in our culture
- Perhaps the reason women are oppressed in texts is because men dominated the retellings of old wives tales.
- androgyny
- domination
- liberation
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